Originally published in: Johannes Ockeghem. Actes du XLe Colloque international d’études humanistes Tours, 3-8 février 1997, Klincksieck 1998, pp. 253-270. READING LABORDE The Significance of Johannes Ockeghem’s chansons in the […]
Read MoreOriginally published in: International Journal of Musicology 2 – 1993, pp. 61-83 Text and Music as ‘Spiel’ – Humour in Ockeghem’s Chanson “L’aultre d’antan” “Dufay the Reader”2 is the title […]
Read MoreOriginally published in Musica Disciplina XLIV (1990), pp. 185-231 In his “Livre de l’Esperance”1 (ca. 1429/30), Alain Chartier developed a favourite topic of the 15th century which became the main […]
Read MoreAbdruck aus: Johannes Brahms als Liedkomponist Steiner Verlag Stuttgart 1992, S. 191-211 to view download below: http://www.goldbergstiftung.org/file/brahms.pdf
Read MoreSix years separate two major works by Mozart, both share the tonality A major and both include a variation movement. But the expectations of genre and the placement of the […]
Read MoreOriginally published in: Studien zur Musikgeschichte. Festschrift Ludwig Finscher, Bärenreiter 1996, p. 88-99 WAS ZITIERT COMPÈRE? Topos, Zitat und Paraphrase in den Regrets-Chansons von Hayne van Ghizeghem und Loyset Compère […]
Read MoreIn Josquin’s chansons de regretz we find a kind of autopoiesis, a poetic string of self citations from one piece to the other. The topic is dealing with loss and […]
Read MoreOriginally published in: Quellenstudium und musikalische Analyse. Festschirft Martin Just, Würzburg 2001, pp. 1-22. Werk, Quelle, Analyse: Betrachtungen zum Chansonnier Nivelle de la Chaussée Schon ein oberflächlicher Blick über die […]
Read More