Dun autre amer
Ockeghem’s chanson Dun autre amer is found in no less than 17 sources. Its popularity is due to its expressive, emotional and refined character. There are numerous fantasies, motets and two masses […]
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Ockeghem’s chanson Dun autre amer is found in no less than 17 sources. Its popularity is due to its expressive, emotional and refined character. There are numerous fantasies, motets and two masses […]
Read MoreEditions may be consulted below Attached file: Theory.doc (4778 downloads, 51 KB)
Read MorePalacio Real, Monasterio di San Lorenzo, Ms IV.a.24 This songbook contains works of the Dufay-Dunstable generation, probably around 1460. There is a close relation to Montecassino 871. View three parts […]
Read MoreReal Monasterio de San Lorenzo del Escorial, Biblioteca de Musica, MS V.III.24 This extremely important and unique collection of Burgundian repertoire from around 1430 has not yet been comprehensively edited. […]
Read MoreReal Monasterio de San Lorenzo del Escorial, Biblioteca del Moasterio, Ms IV a 24. This collection of songs from Milan or Naples around 1450-65 is of the utmost importance for […]
Read MoreHiggins Paula, ed. Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music. Oxford: Clarendon Press ; New York: Oxford University Press, 1999. xxii, 599 p. : ill. ; 24 […]
Read MoreFirenze, Biblioteca Nazionale Centrale, Ms Magl. XIX, 178 Songbook compiled in Florence around 1490 with close relation to Cappella Guilia, Firenze 229 and Odhecaton. Composers to be found are Agricola, […]
Read MoreSource from 1515. Masses and Motets by Mouton, Josquin, Issac, Agricola, Brumel. View Facsimile
Read MoreFirenze, Biblioteca Nazionale Centrale, Ms Magl. XIX 176 Chansons of great importance, unica of very high quality of the generation of Dufay and English provenance. Collected around 1480. Very close […]
Read MoreFlorenz 229, Bibl. Naz. Centr. Ms Banco rari 229 Florence 229 is the biggest and most extensive chansonnier from the end of the 15th century. It contains many unica and […]
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