Lorraine Chansonnier, Paris, BN fonds fr. 1597
The so called Lorraine chansonnier belonged to Antoine, duke of Lorraine and contains repertoire of the court of Louis XII. Many known chansons are by Agricola, Compere and van Ghizeghem. […]
Read MoreThe so called Lorraine chansonnier belonged to Antoine, duke of Lorraine and contains repertoire of the court of Louis XII. Many known chansons are by Agricola, Compere and van Ghizeghem. […]
Read MoreScore by Nicolas Sceaux, licenced under Creative Commons Attribution 3.0 License Figured by Daniel Trumbull Download
Read MoreJohannes Martini (ca. 1440-ca. 1497) was trained in Flanders and worked mostly in Ferrara and Milan. The most important sources of his secular work are Casanatense and Florence 229. His […]
Read MoreChoir book from 1510 Masses by Févin: Salva sancta parens; O quam glorifica luce; La sol mi fa re Mouton: Missa de almania Gascong; Min here heft altyd http://daten.digitale-sammlungen.de/~db/0007/bsb00079110/images/
Read MoreChoir book from 1510 Masses by Heinrich Isaac: De apostilis; Paschalis; Martiribus; Confessoribus; Virginibus et. al. http://daten.digitale-sammlungen.de/~db/0007/bsb00079107/images/
Read MoreChoirbook from 1520 with masses by Josquin: Veni Sancte Spiritus Vinders: Stabat mater Champion: Sing ich niet wol anonymous 8 voice mass super Miserere michi http://daten.digitale-sammlungen.de/~db/0007/bsb00079109/images/
Read MoreMasses by Pierre de la Rue and Pipelare Facsimile published by Alamire Foundation, please note their terms of use! http://www.idemdatabase.org/alamire/items/show/97
Read MoreThis chansonnier was collected under the supervision of Johannes Tinctoris in Naples around 1475. It is a major source for the chansons of his friend Antoine Busnois (cf. collected chansons […]
Read MoreOne of the most important sources for secular music of the 15th century. http://beinecke.library.yale.edu/dl_crosscollex/brbldl/oneITEM.asp?pid=2008083&iid=1042028&srchtype=ITEM
Read MoreBruxelles, Bibliothèque Royale, Ms. 5557 This mass is doubtfully ascribed to “Ockam” in the source. In Vatican, Capella Sistina Ms. 51 there is an ascription to “Cornelius Heyns” who does […]
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