Glogauer Liederbuch
Kraków, Biblioteka Jagiellońska Ms 40098 Glogau presents a vast collection of sacred (hymns, antiphons, responsories, etc. ) and secular (Fantasias, dances) pieces. It was assembled around 1480 in Zagań, probably […]
Kraków, Biblioteka Jagiellońska Ms 40098 Glogau presents a vast collection of sacred (hymns, antiphons, responsories, etc. ) and secular (Fantasias, dances) pieces. It was assembled around 1480 in Zagań, probably […]
Firenze, Biblioteca Nazionale Centrale, Ms. Magl. XIX.178 Manuscript with songs and fantasies of the late 1490s from Florence. Almost an anthology of Alexander Agricola. Further composers are Isaac, Martini, van […]
Berlin, Kupferstichkabinett Ms 78.C.28 Having financed the digitalization of this important chansonnier from the mid 15th century we present here a new way of edition. The scores follow each digitalized […]
Berlin, Kupferstichkabinett Ms 78 C 28 One scribe copied the music for the main part of the manuscript; the Mass (ff. 51′-62) is a later addition, in a mid-16th century […]
London, British Library, Ms. Royal A 20, XVI This very fine chansonnier of French provenance around the years 1480-90 is almost an antology of chansons by Agricola and Hayne van […]
Verona, Biblioteca Capitolare, Ms 757 This is a completely untexted source probably conceived for instrumental use. The unica are obviously instrumental fantasies albeit with many partly severe mistakes. The repertoire […]
Gaffurius codices online is a website dedicated to the four manuscripts of polyphonic music prepared by Franchinus Gaffurius for the Duomo of Milan in the decades around 1500. Gaffurius (1451–1522), […]
The French chansonnier Sevilla, Biblioteca Columbina 5-I-43 was torn apart at the end of the 19th century. Parts of this theft have reappeared in Paris, BN, nouvelles acquisitions fr. 4379. […]
Firenze, Biblioteca Nazionale Centrale, Ms Magl. XIX, 178 Songbook compiled in Florence around 1490 with close relation to Cappella Guilia, Firenze 229 and Odhecaton. Composers to be found are Agricola, […]
We do not know the composer of one of the most famous chansons of the 15th century, “Jay pris amours a ma devise”. It is stylistically close to the Binchois-Ockeghem […]