Essays & Diskussionen

Text, Rhythm, Action! (Historically Informed Performance) & The Flow.Zone

Blog by Andrew Lawrence-King based on Luis de Milan. Very useful and interesting! View

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THE ILLUSORY MOZART: SELFISH MEMES IN THE PRIESTS’ MARCHES, by Steven Jan

Steven Jan THE ILLUSORY MOZART: SELFISH MEMES IN THE PRIESTS’ MARCHES FROM IDOMENEO AND DIE ZAUBERFLÖTE for Julian Rushton I want to claim almost limitless power for slightly inaccurate self-replicating […]

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The Relation between Minor Mode Music and Sadness, by Milton D. Heifetz

The Relationship Between Minor Mode Music And Sadness By Milton C. Heifetz There appears to be a general consensus among musicologists that music written in the minor mode is more […]

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Topoi and Melodic Morphology in the Operas of Donizetti, by Rodney Stenning Edgecombe

Topoi and Melodic Morphology in the Operas of Donizetti Rodney Stenning Edgecombe For as long as there has been literature in the world, there have also been genres, the institutions […]

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Transformational Practices in Fifteenth-Century German Music”, PhD Thesis by Marc Lewon

In  this  thesis  I  investigate  transformational  practices  in  the  secular  music  of  mid-fifteenth-century  German  sources.  At  the  heart  of  the  research  are  case  studies  of  the  Lochamer  Liederbuch  with  its  […]

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Vergänglichkeit als ästhetische Kategorie und Erlebnis in Liedern von, Johannes Brahms

Abdruck aus: Johannes Brahms als Liedkomponist Steiner Verlag Stuttgart 1992, S. 191-211 to view download below: http://www.goldbergstiftung.org/file/brahms.pdf

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Wagnerianismus, Translations of Greek Drama by T. Zielinsky, by Grazyna Golik-Szarawarska

Grazyna Golik-Szarawarska WAGNERIANISMUS IN DEN ÜBERSETZUNGEN DER GRIECHISCHEN DRAMATISCHEN DICHTUNG VON TADEUSZ ZIELINSKI Summary: Wagnerianism in Tadeusz Zieliński’s Translations of Greek Tragedies. Tadeusz Zielinski (1859 – 1944) was not only […]

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Was Mozart variiert – Klaviersonate A-dur KV 331, und Klarinettenquintett A-dur KV581

Six years separate two major works by Mozart, both share the tonality A major and both include a variation movement. But the expectations of genre and the placement of the […]

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Was zitiert Compere, Chansons de regretz

Originally published in: Studien zur Musikgeschichte. Festschrift Ludwig Finscher, Bärenreiter 1996, p. 88-99 WAS ZITIERT COMPÈRE? Topos, Zitat und Paraphrase in den Regrets-Chansons von Hayne van Ghizeghem und Loyset Compère […]

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Wer sind sie und wenn ja wie viele?, Josquins Chansons de Regretz

In Josquin’s chansons de regretz we find a kind of autopoiesis, a poetic string of self citations from one piece to the other. The topic is dealing with loss and […]

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