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Chansons de Regretz

This is a first installment of 20 Chansons de Regretz: Download Modern Clefs (PDF) Allez regretz (Ghizeghem) Allez regretz (Senfl) Apres regretz Cent mille regretz 7stimmig Cent mille regretz (de […]

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Chigi Codex, Bibl. Vaticana Ms Chigi C.VIII 234

The so called Chigi Codex is the most important source for Masses and Motets of Johannes Ockeghem. http://digi.vatlib.it/view/MSS_Chig.C.VIII.234

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Choirbook with Masses by Isaac and Senfl, BSB Ms mus. 47

Choirbook from 1560 with masses by Heinrich Isaac: Solenne, de Apostels; de Martiribus; de Confessoribus; de Beata Virgine Ludwig Senfl: Dominicale; Feriale Ludwig Daser: de Virginibus de la Rue: Requiem […]

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Codex Reina

Paris Bibliothèque Nationale ms 6771 An extensive collection of secular Italian and French songs, from ca. 1340-1430, with composers ranging from Jacopo di Bologna to Guillaume Dufay. Facsimile online

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Codex St. Emmeram, BSB Clm 14274

Very important source for Works of Dufay. http://daten.digitale-sammlungen.de/~db/0000/bsb00001643/images/

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Copenhague Chansonnier

The Copenhague Chansonnier is one of the so called Loire Chansonniers containing the chanson repertoire of French and Burgundian composers of the 15th century. http://www.kb.dk/permalink/2006/manus/702/dan//?var=

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Copenhague, MS Ny kongelige Samling 1848, 2°

Created around 1525 it is a large collection of masses, motets and 151 chansons. Works by Agricola, Busnois, Févin, Ghiselin, Isaac, Ockeghem, Josquin… View Facsimile

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Corelli Concerto Grosso op.6/8 “Per la notte di natale”

Score http://www.goldbergstiftung.org/file/00013447.pdf B.c. Part http://www.goldbergstiftung.org/file/00013449.pdf Figured by Daniel Trumbull

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De tous biens plaine

Hayne van Ghizeghems chanson De tous biens plaine is possibly the most famous chanson of the second half of the 15th century. Apart from the many sources transmitting the original chanson […]

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Dufay chansons

On the basis of Heinrich Besseler’s edition and David Fallows’ revision, all chansons are re-edited here. In particular, I always group cantus and tenor and not cantus and contratenor among […]

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