The rising young star of Early Music, Björn Schmelzer, director of Graindelavoix and the old master Sigiswald Kuijken exchanged their view about “Early Music” and performance practice. http://www.goldbergstiftung.org/file/mar2009_eng.pdf
Druckfassung des 2. Vortrags auf dem von mir in Muju (Südkorea) geleiteten internationalen Sorak-Symposium, das unter dem Titel”Kulturwissenschaft als Herausforderung und Potential der Germanistik” stand. Erscheint in: Lee, Jie-Oun u.a. […]
Grazyna Golik-Szarawarska WAGNERIANISMUS IN DEN ÜBERSETZUNGEN DER GRIECHISCHEN DRAMATISCHEN DICHTUNG VON TADEUSZ ZIELINSKI Summary: Wagnerianism in Tadeusz Zieliński’s Translations of Greek Tragedies. Tadeusz Zielinski (1859 – 1944) was not only […]
“Melomachia”: Melodic Challenge and Displacement in Some Nineteenth-Century Music Rodney Stenning Edgecombe In François Philidor’s Ernelinde (the three-act version of which premiered at the Opéra in 1767, and the five-act […]
Topoi and Melodic Morphology in the Operas of Donizetti Rodney Stenning Edgecombe For as long as there has been literature in the world, there have also been genres, the institutions […]
The Relationship Between Minor Mode Music And Sadness By Milton C. Heifetz There appears to be a general consensus among musicologists that music written in the minor mode is more […]
A 16th Century Publication Who-Dun-it: Exploring implications of the double attribution of the madrigal “Canzon se l’esser meco” to Andrea Gabrieli and Orlande de Lassus. Karen Linnstaedter Strange, MM A […]
Schoenberg, Unfolding, and “Composing With Twelve Tones”: A Case Study (Op. 25/I) John Brackett Introduction “Composition is: thinking in tones and rhythms. Every piece of music is the presentation of […]
It is dusk and the young Gypsy clings to his Zemfira. Both Gypsies hope to remain until daylight, despite the dire tragedy they know this might bring. If Zemifa’s non-Gypsy […]
Steven Jan THE ILLUSORY MOZART: SELFISH MEMES IN THE PRIESTS’ MARCHES FROM IDOMENEO AND DIE ZAUBERFLÖTE for Julian Rushton I want to claim almost limitless power for slightly inaccurate self-replicating […]